Union Point Sessions

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Union Point Sessions
CD Cover
CD Cover
by
ReleasedJune 2003
RecordedJune 2002 - June 2003
Length49:00
Labelscary!records
0DegreesK chronology
Demo(n)s IV
(2003)
Union Point Sessions
(2003)
++2004++
(2005)

Union Point Sessions was a collection of music assembled in June 2003.

Track Listing

  1. See these lights (3:46)
  2. Oh no, let's not (3:22)
  3. You take me home (3:18)
  4. Hey, Love (4:13)
  5. How are you doing today? (3:08)
  6. I've got a suitcase... (4:07)
  7. Thick Beats (2:17)
  8. Anxiety (3:29)
  9. Goodbye (2:51) (appeared previously as "Intro" on Demo(n)s IV)
  10. Union & Parkwood (5:34)
  11. The Blonde Beast vs. DJ Dionysus (4:30)

Equipment

  • Apple 12" PowerBook G4
  • Bias Peak Software (Trial)
  • Sonic Foundry ACID 4
  • Roland VS-840EX Digital Multitrack
  • Akai S-20 Phrase Sampler
  • Boss DR-770 Drum Machine
  • Gibson Epiphone 6-String Electric Guitar
  • Fender 6-String Acoustic Guitar
  • Seagull 12-String Acoustic Guitar
  • Various Synthesizers

Covers

CD Cover

Cover: Outside
Cover: Inside (Left)
Cover: Inside (Right)
Lyric Sheet: Outside
Lyric Sheet: Inside


Personal Thoughts

The thing that I remember most about this collection of music is that it was my first attempt at using a laptop in the studio. The place I was working at the time had just bought for me the newly released 12" PowerBook G4, which was an amazing piece of technology. I couldn't afford a software platform, so I had to settle on a trial license of an application, which gave me two weeks to record an album. Because I didn't have an interface of any kind, I had to rely solely on the stereo line input on the laptop, so Tracks 1-6 are essentially demos and covers of songs that I made while deciding whether or not I was going to buy the software. The rest of the songs were produced using Sonic Foundry ACID 4 and my Roland VS-840EX. I quite vividly remember recording the song Union & Parkwood kind of without hardly putting a thought into it... in the dark, in a small room in that brownstone on the corner the song's named after. It's arguably my favorite of any song I've ever written or recorded. Nothing has ever encapsulated a moment in my life the way that that track still does.